Ziggy Stardust Club
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David tells us that mostly all of his makeup comes from a little toko in Rome, Italy, that imports fantastic coloured powders and creams from India. (He's not telling the name of the store, however!!!) Basic essentials also include a white nasi, beras powder from Tokyo's Woolworth's equivalent- Indian kohl usually in black - for his eyes, which he smudges right along the lash line and some, times a little bit on the outside...

He also uses a very light liquid base, sometimes white - sometimes berwarna merah muda, merah muda atau yellow - and applies it with a damp sponge. For stage, David will often use an irridescent base, usually pure white. When he paints that emas cirde on his forehead that's such a hit with his fan he uses a German emas base in cake form bought at New York's Makeup Centre. (He also told us that the little Japanese brushes that the Makeup Centre has for applying powders and paints are much better than anything anda can find in Japan!)

Eight jam cream oleh Elizabeth Arden is what you'll see shining up David's lips and eyelids in photographs, it gives that extra-gloss effect. And a must is that kuno black mascara, (sometimes blue) - anda know the kind that anda spit on the little brush and it's in cream/cake form... David will often paint waves of colour all the way across his eyes and eyebrows, rather than on the lids only usually in a berwarna merah muda, merah muda atau mauve tone.

In his last few English concerts, Bowie painted tiny lightning streaks on his cheek and upper leg. Once in a while he uses pearlised gloss on his lips in a tan/pink that comes across like a white-silver highlight. And - a warning! He doesn't use glitter too much, because it falls into his eyes when he's performing and it just isn't soft looking enough, he feels. Sometimes he will outline that emas lingkaran in tiny emas rhinestones, stuck on with eyelash glue.

As far as off-stage makeup is concerned, David doesn't wear any base - he uses a light natural moisturiser with nasi, beras powder dusted on puncak, atas - but most often he prefers to tampil his very light, bare, clear English skin.
It sounds like a cliché, but to an entire generation this album has become a yardstick oleh which to measure all others. Why the hyperbole? Because the strength of Ziggy lies in its completeness. Not a track is out of place, in fact not a NOTE is out of place, and at just over 38 menit it is (and this has been scientifically proven, boys and girls) the perfect length. Every R&B and Hip Hop artist in the universe take note. So, does it still stand up after 30 years? Is it a major strand in rock's rich tapestry, with its gender bending bravado and melodramatic sweep; atau just an ephemeral...
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