Scene where Tony and Stephanie have lunch
At the dance studio, Pete teaching several people to dance.
Pete: Come on, honey, higher with the arms.
Yeah, that's it. Yeah, do it to me!
Tony walks to the entrance to ask Pete about Stephanie.
Tony: Pete, she come in?
Pete: I told anda on the phone, she comes in on Tuesday.
Tony: I know. So, did she come in atau what?
Pete: And what is it today, huh?
Tony: It's Tuesday.
Pete: Yeah.
Hey, Ton! Watch it, man. That one's practicing to be a bitch. Come on, people! Good, yeah. Oh, that's good. You're doing great. Yeah.
In another room, Tony watches Stephanie practicing and gets in the groove and repeats her moves.
Tony: Hello, Stephanie Mangano. I'm Tony Manero.
We both got the same last initials. How do anda like that?
Stephanie: Wow. We get married, I don't have to change the monogram on my luggage, huh?
Tony: Somebody told me anda was practicing to be a bitch. Is that true?
Stephanie looks at him as he does a little dance walk.
Stephanie: All right, Mr. Manero. What do anda want to ask me?
Tony: I would like to take anda out to coffee. Would that be good?
Stephanie: That's it, huh? anda want me to have coffee with you?
Tony: I think you're a very good dancer. anda know that 2001 Odyssey, they got a dance contest now.
And I think that we could be a dynamite team together.
Stephanie: How old are you, huh?
Tony: I'm 20. Well, I'm 19 at the moment, but I'll be 20 very shortly.
Stephanie: What I think is this. There's a world of difference between us, anda know? Not just chronologically, but emotionally, culturally, physically, every which way. And this world would get much bigger and much worse with every passing week.
Tony: What kind of shit is that? Coffee, not sex.
Stephanie: Just coffee, huh?
Down a street, where the Verrazano-Narrows bridge is seen, Tony and Stephanie walk to a kantin, diner for lunch.
Stephanie: See, look, where I work, the people are very remarkable. They're not like these here teluk, da? Ridge people at all.
Tony: anda mean snobs instead of slobs, right?
Stephanie: What?
Tony: Nothing. Hey, anda know, teluk, da? Ridge ain't the worst part of Brooklyn. anda know what I'm talking?
I mean, anda know, it ain't like a hellhole atau nothing.
Stephanie: Yeah, well, it ain't Manhattan. It isn't Manhattan. anda got no idea how it changes, anda know. Just right over there, right across the river,
everything is different, completely different.
It's beautiful, just beautiful. The people are beautiful, offices are beautiful. The secretaries, anda know, they all toko at Bonwit Teller.
Tony: Oh, yeah?
Stephanie: And, like, the lunch hours are beautiful, too. Like, anda know, they'll give you, like, two hours for lunch to do something that's related.
Tony and Stephanie walk in the kantin, diner and sit at a table.
Tony: Oh, yeah?
Stephanie: Like we've seen Zeffirelli's Romeo and Juliet.
Tony: Over here. Romeo and Juliet, yeah? I read that in high school. That's... That's Shakespeare, right?
Stephanie: No, it's Zeffirelli, the director of the movie. anda know, the movie? Film.
Tony: Yeah. anda know what? What I never understood about that Romeo and Juliet, I never understood why Romeo, he took the poison so quick, anda know? I feel like he could have waited atau something.
Stephanie: Well, that's the way they took the poison in those days.
Tony: Hey, anda gonna eat? Here, look at a menu.
Stephanie: No, no. I'll just have tea. teh with lemon.
I started drinking teh recently, anda know. It's really a lot lebih refined.
Tony: Oh, yeah?
Stephanie: Yeah. All those women executives in my office, they all drink teh with lemon.
Tony: Oh, yeah?
Stephanie: Yeah. And anda notice that I do, too.
Tony: I like coffee, anda know? I drink coffee.
Stephanie: Yeah. anda see, like, I've only been at this agency a really short time, but already I'm functioning in a, kind of, public relations capacity, anda know. I fill in for the agents when they're elsewhere. Like, this week, anda know, I had... I had business lunches with Eric Clapton at La Cote Basque and Cat Stevens at Le Madrigal.
Tony: Oh, far out.
Stephanie: Yeah. anda heard of those restaurants, huh?
Tony: No, I don't know those exact restaurants. I know the type.
Stephanie: Yeah, but anda must have heard of the artists.
Tony: No, I... Not... I don't know... anda know. Not really.
Stephanie: So what did anda say "far out" for, huh?
Tony: 'Cause it sounded, like, far out. Wasn't it? I mean...
Stephanie: Well, yeah.
Tony: We'd like a lemon with some teh now. And I'd like a cheeseburger, burger keju and some coffee.
Stephanie: Hey, anda know who came in the office the other day?
Tony: Who?
Stephanie: Laurence Olivier.
Tony: Who's that?
Stephanie: Who's Laurence Olivier? anda don't know who he is? Laurence Olivier, man! He's the greatest actor in the whole world. Oh, come on, anda know who he is. He's the English actor, the one on televisi who does all those Polaroid commercials. anda know, Laurence Olivier.
Tony: Oh, him. Oh, he's good. He is good.
Stephanie: Yeah. Well, anyway, he comes in the office, right? So, I just do a few errands for him.
So, he goes around, he tells everybody in the entire office, he says I'm the brightest, I'm the most vivacious thing in the entire office he's seen in years.
Tony: Oh, yeah?
Stephanie: Yeah.
Tony: Do anda think that anda could get, like, a camera from him at a discount?
Stephanie: I didn't ask him about a camera.
Tony: 'Cause anda got one already, right, anda sly fox, you.
Stephanie: Hey, look, are anda enjoying all this stuff I'm telling you?
Tony: Sure. I think it's good.
Stephanie: Well, I just think maybe anda can't handle hearing about a kind of life that is so completely different than yours.
Tony: anda mean "better," don't you?
Stephanie: Yes, I mean better. Sure, it's better.
Tony: Can I have some ketchup, please?
Stephanie: I mean, I'm out of this scene almost completely, anda know, this teluk, da? Ridge scene. I'm moving into Manhattan. I'm getting my own apartment. I'm changing. I'm really changing as a person, and I'm growing. anda know what I mean? Nobody has any idea how much I'm growing.
Tony: Why don't anda go on a diet?
Stephanie: Okay, listen. I like you.
We could dance together. That's it. We could just dance together and nothing more. Nothing personal. I don't want anda coming on to me.
Tony: Why not?
Stephanie: Because I don't tanggal guys like anda anymore, for one thing. You're too young, anda haven't got any class, and, yeah, I'm sick of jerk-off guys ain't got their shit together!
Tony: Oh, come on. It's easy to get your shit together. All anda need is a salad bowl and a potato masher. Get your shit together. Would anda like to know what I do?
Stephanie: It's not necessary.
Tony: I'll tell anda what I do. I work in a paint store,
and I got a raise this week.
Stephanie: Right. anda work in a paint store, right?
anda probably live with your family, anda hang out with your buddies, and on Saturday night anda go, anda blow it all off at 2001, right?
Tony: That's right.
Stephanie: You're a clich. You're nowhere, on your way to no place.
Tony: What do anda got? A fucking stairway to the stars atau what?
Stephanie: Yeah, maybe.
Tony: Yeah.
Stephanie: I'm taking a course, nights, at the new school. selanjutnya semester, I'm gonna take two. Now, you, anda probably didn't get no college, did you?
Tony: No, I did not.
Stephanie: Well, did anda ever think about going to college?
Tony: No.
Stephanie: Not ever?
Tony: No. Did you?
Stephanie: Well, not back then, no...
Tony: (mouth full) Then why the fuck are anda bugging me about it for?
Stephanie: Well, why not? Why didn't anda ever want to go to college?
Tony: Oh, just fuck off, will you? I did not.
Stephanie: No, really. Tell me. Why not?
Tony: Oh, Yesus Christ! I didn't!
Outside the building, Tony takes a walk with Stephanie.
Tony: The thing is the high I get at 2001 is just dancing, it's not being the best atau nothing like that.
The only thing is that I would like to get that high
someplace else in my life. anda know?
Stephanie: Like where?
Tony: I don't know where. I don't know. Someplace.
anda see, dancing, it can't last forever. It's a short-lived kind of thing. But I'm getting older, anda know. anda know, I feel like... I feel like, anda know, so what, I'm getting older. Does that mean, like, I can't feel that way about nothing left in my life?
anda know? Is that it?
Stephanie: Listen, we gotta membagi, split here.
Tony: No, I'll walk anda the rest of the way.
Stephanie: No, I'll meet anda at the dance studio, just like we said, okay?
Tony: Stephanie, I can walk anda home.
Stephanie: Look, nothing personal, right?
Tony: Oh, come on, Stephanie. I can walk you.
Oh, Yesus Christ! anda know?
At the dance studio, Pete teaching several people to dance.
Pete: Come on, honey, higher with the arms.
Yeah, that's it. Yeah, do it to me!
Tony walks to the entrance to ask Pete about Stephanie.
Tony: Pete, she come in?
Pete: I told anda on the phone, she comes in on Tuesday.
Tony: I know. So, did she come in atau what?
Pete: And what is it today, huh?
Tony: It's Tuesday.
Pete: Yeah.
Hey, Ton! Watch it, man. That one's practicing to be a bitch. Come on, people! Good, yeah. Oh, that's good. You're doing great. Yeah.
In another room, Tony watches Stephanie practicing and gets in the groove and repeats her moves.
Tony: Hello, Stephanie Mangano. I'm Tony Manero.
We both got the same last initials. How do anda like that?
Stephanie: Wow. We get married, I don't have to change the monogram on my luggage, huh?
Tony: Somebody told me anda was practicing to be a bitch. Is that true?
Stephanie looks at him as he does a little dance walk.
Stephanie: All right, Mr. Manero. What do anda want to ask me?
Tony: I would like to take anda out to coffee. Would that be good?
Stephanie: That's it, huh? anda want me to have coffee with you?
Tony: I think you're a very good dancer. anda know that 2001 Odyssey, they got a dance contest now.
And I think that we could be a dynamite team together.
Stephanie: How old are you, huh?
Tony: I'm 20. Well, I'm 19 at the moment, but I'll be 20 very shortly.
Stephanie: What I think is this. There's a world of difference between us, anda know? Not just chronologically, but emotionally, culturally, physically, every which way. And this world would get much bigger and much worse with every passing week.
Tony: What kind of shit is that? Coffee, not sex.
Stephanie: Just coffee, huh?
Down a street, where the Verrazano-Narrows bridge is seen, Tony and Stephanie walk to a kantin, diner for lunch.
Stephanie: See, look, where I work, the people are very remarkable. They're not like these here teluk, da? Ridge people at all.
Tony: anda mean snobs instead of slobs, right?
Stephanie: What?
Tony: Nothing. Hey, anda know, teluk, da? Ridge ain't the worst part of Brooklyn. anda know what I'm talking?
I mean, anda know, it ain't like a hellhole atau nothing.
Stephanie: Yeah, well, it ain't Manhattan. It isn't Manhattan. anda got no idea how it changes, anda know. Just right over there, right across the river,
everything is different, completely different.
It's beautiful, just beautiful. The people are beautiful, offices are beautiful. The secretaries, anda know, they all toko at Bonwit Teller.
Tony: Oh, yeah?
Stephanie: And, like, the lunch hours are beautiful, too. Like, anda know, they'll give you, like, two hours for lunch to do something that's related.
Tony and Stephanie walk in the kantin, diner and sit at a table.
Tony: Oh, yeah?
Stephanie: Like we've seen Zeffirelli's Romeo and Juliet.
Tony: Over here. Romeo and Juliet, yeah? I read that in high school. That's... That's Shakespeare, right?
Stephanie: No, it's Zeffirelli, the director of the movie. anda know, the movie? Film.
Tony: Yeah. anda know what? What I never understood about that Romeo and Juliet, I never understood why Romeo, he took the poison so quick, anda know? I feel like he could have waited atau something.
Stephanie: Well, that's the way they took the poison in those days.
Tony: Hey, anda gonna eat? Here, look at a menu.
Stephanie: No, no. I'll just have tea. teh with lemon.
I started drinking teh recently, anda know. It's really a lot lebih refined.
Tony: Oh, yeah?
Stephanie: Yeah. All those women executives in my office, they all drink teh with lemon.
Tony: Oh, yeah?
Stephanie: Yeah. And anda notice that I do, too.
Tony: I like coffee, anda know? I drink coffee.
Stephanie: Yeah. anda see, like, I've only been at this agency a really short time, but already I'm functioning in a, kind of, public relations capacity, anda know. I fill in for the agents when they're elsewhere. Like, this week, anda know, I had... I had business lunches with Eric Clapton at La Cote Basque and Cat Stevens at Le Madrigal.
Tony: Oh, far out.
Stephanie: Yeah. anda heard of those restaurants, huh?
Tony: No, I don't know those exact restaurants. I know the type.
Stephanie: Yeah, but anda must have heard of the artists.
Tony: No, I... Not... I don't know... anda know. Not really.
Stephanie: So what did anda say "far out" for, huh?
Tony: 'Cause it sounded, like, far out. Wasn't it? I mean...
Stephanie: Well, yeah.
Tony: We'd like a lemon with some teh now. And I'd like a cheeseburger, burger keju and some coffee.
Stephanie: Hey, anda know who came in the office the other day?
Tony: Who?
Stephanie: Laurence Olivier.
Tony: Who's that?
Stephanie: Who's Laurence Olivier? anda don't know who he is? Laurence Olivier, man! He's the greatest actor in the whole world. Oh, come on, anda know who he is. He's the English actor, the one on televisi who does all those Polaroid commercials. anda know, Laurence Olivier.
Tony: Oh, him. Oh, he's good. He is good.
Stephanie: Yeah. Well, anyway, he comes in the office, right? So, I just do a few errands for him.
So, he goes around, he tells everybody in the entire office, he says I'm the brightest, I'm the most vivacious thing in the entire office he's seen in years.
Tony: Oh, yeah?
Stephanie: Yeah.
Tony: Do anda think that anda could get, like, a camera from him at a discount?
Stephanie: I didn't ask him about a camera.
Tony: 'Cause anda got one already, right, anda sly fox, you.
Stephanie: Hey, look, are anda enjoying all this stuff I'm telling you?
Tony: Sure. I think it's good.
Stephanie: Well, I just think maybe anda can't handle hearing about a kind of life that is so completely different than yours.
Tony: anda mean "better," don't you?
Stephanie: Yes, I mean better. Sure, it's better.
Tony: Can I have some ketchup, please?
Stephanie: I mean, I'm out of this scene almost completely, anda know, this teluk, da? Ridge scene. I'm moving into Manhattan. I'm getting my own apartment. I'm changing. I'm really changing as a person, and I'm growing. anda know what I mean? Nobody has any idea how much I'm growing.
Tony: Why don't anda go on a diet?
Stephanie: Okay, listen. I like you.
We could dance together. That's it. We could just dance together and nothing more. Nothing personal. I don't want anda coming on to me.
Tony: Why not?
Stephanie: Because I don't tanggal guys like anda anymore, for one thing. You're too young, anda haven't got any class, and, yeah, I'm sick of jerk-off guys ain't got their shit together!
Tony: Oh, come on. It's easy to get your shit together. All anda need is a salad bowl and a potato masher. Get your shit together. Would anda like to know what I do?
Stephanie: It's not necessary.
Tony: I'll tell anda what I do. I work in a paint store,
and I got a raise this week.
Stephanie: Right. anda work in a paint store, right?
anda probably live with your family, anda hang out with your buddies, and on Saturday night anda go, anda blow it all off at 2001, right?
Tony: That's right.
Stephanie: You're a clich. You're nowhere, on your way to no place.
Tony: What do anda got? A fucking stairway to the stars atau what?
Stephanie: Yeah, maybe.
Tony: Yeah.
Stephanie: I'm taking a course, nights, at the new school. selanjutnya semester, I'm gonna take two. Now, you, anda probably didn't get no college, did you?
Tony: No, I did not.
Stephanie: Well, did anda ever think about going to college?
Tony: No.
Stephanie: Not ever?
Tony: No. Did you?
Stephanie: Well, not back then, no...
Tony: (mouth full) Then why the fuck are anda bugging me about it for?
Stephanie: Well, why not? Why didn't anda ever want to go to college?
Tony: Oh, just fuck off, will you? I did not.
Stephanie: No, really. Tell me. Why not?
Tony: Oh, Yesus Christ! I didn't!
Outside the building, Tony takes a walk with Stephanie.
Tony: The thing is the high I get at 2001 is just dancing, it's not being the best atau nothing like that.
The only thing is that I would like to get that high
someplace else in my life. anda know?
Stephanie: Like where?
Tony: I don't know where. I don't know. Someplace.
anda see, dancing, it can't last forever. It's a short-lived kind of thing. But I'm getting older, anda know. anda know, I feel like... I feel like, anda know, so what, I'm getting older. Does that mean, like, I can't feel that way about nothing left in my life?
anda know? Is that it?
Stephanie: Listen, we gotta membagi, split here.
Tony: No, I'll walk anda the rest of the way.
Stephanie: No, I'll meet anda at the dance studio, just like we said, okay?
Tony: Stephanie, I can walk anda home.
Stephanie: Look, nothing personal, right?
Tony: Oh, come on, Stephanie. I can walk you.
Oh, Yesus Christ! anda know?
Tony and Stephanie
(da sinistra a destra) Joey, Double J, Tony Manero, Stephanie e Bobby C
Tony causing a fight against Joey and Double J
