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 Gigi Burgdorf
Gigi Burgdorf
Have anda ever heard the saying: hindsight is 2020? Basically, it means that it’s easy for someone to be knowledgeable about something after it has happened. This idea has been explored for years in film and now filmmaker Gigi Burgdorf brings it to the virtual world in her new short film, “Same Time selanjutnya Week.”

The premise centers around a group of coworkers in need of a miracle to save their jobs. Desperate to land their latest account, the team conducts a series of brainstorming virtual meetings. During one session, a coworker discovers a software setting that allows him to travel in time and save them all from getting the axe.

Gigi created the film during the pandemic lockdown, using virtual technology and six actors all at different locations. Since releasing, the film has resonated with global festival audiences winning Best Sci-Fi Short Film at London’s Screen Power FF, Award of Merit for Short Film and for Women Filmmakers at the IndieFEST Film Awards; along with nominations for Best Web and New Media at IndieX FF, Best Lockdown Film at Lonely serigala london Int’l FF and Best Comedy Short at New Renaissance FF.

Gigi Burgdorf recently answered some pertanyaan about “Same Time selanjutnya Week” and more.

Tell us about “Same Time selanjutnya Week.”

GIGI: “Same Time selanjutnya Week” is a bit of comedy sci-fi fun, created during lockdown and filmed over video conferencing software in the luar angkasa of 48 hours. Although the film is very much a product of the pandemic, it’s not actually about the pandemic, though it’s set in the world of virtual meetings which we’re all so familiar with these days. I hope it’s not too much of a spoiler to say that the story involves time travel!

Who do anda portray in the film?

GIGI: I play Olivia, who manages a team and is being pressured oleh head office to reduce the headcount. She sees a possible way to save her team - and her own job - if they win an important pitch. So the stakes are high and she needs to get the best out of the people she manages.

What would anda consider your characters ‘best’ quality? And their ‘worst’?

GIGI: Olivia’s best quality is that she cares about her team members and will put her neck on the line to save their jobs. Her worst quality is that she can be a bit impatient and short-tempered. She doesn’t suffer fools gladly and can be abrupt when under pressure.

Where did anda come up with the idea for the film?

GIGI: It was really a case of necessity being the mother of invention. I had signed up for a 48-hour film challenge, where you’re diberikan a genre, a character name, a line of dialogue and a prop, and anda have 48 hours to craft a film around those. Then the pandemic hit and everyone was in lockdown, so I knew whatever I made would have to be a single character film atau be filmed over video conferencing software. When I was assigned the genre of time travel, I berkata to my partner, “How can I possibly make a time travel movie over Zoom?” Almost immediately he came up with the main plot points of the story, and I set about menulis the script. If it hadn’t been for the restrictions of the pandemic I don’t think we would have come up with this particular idea.

If anda could go land in the future atau the past virtually, when would anda choose and why?

GIGI: I would definitely go back to the past. I’d cinta to visit Georgian London, as I’m obsessed with Georgette Heyer novels and the baru saja TV series “Harlots”. I’d go back to that era, get some amazing dresses made, take a carriage ride around Hyde Park and go to a ball, but then I’d head back to the present hari for modern sewage systems and women having the right to manage their own lives. I hope the gowns would survive the journey back!

What’s the biggest lesson anda learned from creating this project?

GIGI: I learned that having a lot of restrictions can actually help free up creativity. I’m normally a bit of a perfectionist, and I think that’s stopped me from actually making films in the past, as I was caught up in worrying about having the best equipment, the best locations atau the perfect script atau whatever. The shutdown and all the restrictions of the pandemic forced me to think much smaller and just do what I could with what was available. And it turned out to be a really great experience.

And, do anda plan to keep making your own projects?

GIGI: Definitely. I’d like to try making something on a slightly larger scale, filmed in a lebih traditional way, so I’m in the process of putting together a team for that. menulis the script for “Same Time selanjutnya Week” helped me realize that I’m lebih comfortable menulis dialogue than coming up with the secara keseluruhan, keseluruhan story arc, so I’m working with another writer to develop a couple of ideas. The positive reception I’ve had for my first project has really spurred me on to make more.

And, now just for fun:

Who’s your favorit actor/actress?


GIGI: I’m a big fan of Frances McDormand, because she moves so easily from comedy to drama and stage to screen. I cinta performances where the actor transforms into the role and leaves their own mannerisms and personality behind. I also really enjoy watching Florence Pugh for that reason. Her character in “Fighting with My Family” was so different to her roles in “Midsommar” atau “Lady Macbeth”, and I cinta actors who’ve got that chameleon ability.

What role from the past do anda wish anda could have played?

GIGI: Pretty much any period drama role where I could angsa, swan around a kastil, castle in an enormous gown. I especially cinta Gwyneth Paltrow’s role in “Shakespeare in Love”, not just because of the clothes, but also because she essentially plays two roles and gets to do some Shakespeare as well. And she shares a screen with so many of my heroes like Judi Dench, Simon Callow, Anthony Sher and Imelda Staunton. That seems like a dream role.

Favorite movie atau TV tampil from your childhood.

GIGI: The first series I really got into was "Alien Nation", about a human cop and his alien partner in a future time when aliens and humans are sharing the planet. The aliens were allergic to saltwater and got drunk on asam milk, which I found hilarious. But re-watching it as an adult, there are a lot of serious messages about tolerance and the dangers of racism, so the story worked on several different levels. To this day, I can still sing bits of the theme song in Tenctonese, the alien language invented for the show. What a geek!

Tell us one thing that would surprise our readers to learn about you.

GIGI: I come from a family of lawyers, and many people are surprised to hear that my dad wrote the Americans with Disabilities Act. We got to gabung him at the White House to see it get signed into law. That was a pretty inspiring thing to experience as a kid - to see how your actions can literally help make the world a better and fairer place.

How can fan keep up with you?

GIGI: anda can find the latest news on my website: gigiburgdorf.com link
atau connect with me on Twitter: @GigiBurgdorf link
And Instagram: @gigiburgdorf link


Thanks, Gigi – keep traveling and we’ll keep watching!
 "Same Time selanjutnya Week" a film oleh Gigi Burgdorf
"Same Time Next Week" a film by Gigi Burgdorf
 Behind the scenes of "Same Time selanjutnya Year" oleh Gigi Burgdorf
Behind the scenes of "Same Time Next Year" by Gigi Burgdorf
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 Charlz Williams
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Actor Charlz Williams helps shed some light on black on black discrimination in the new dramatic short “Throw the Dog a Bone.”

The film is screening on February 14th & 16 as part of the Pan African Film Festival in Los Angeles and I recently caught up with Charlz to find out more.

Tell us about your role in “Throw the Dog a Bone.”

CHARLZ: I play the role of a college professor at an Ivy League institution who has been assigned as the faculty adviser to a your African-American coed who is being accused of cheating to gain admission into the college. It becomes clear from the start...
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