"I still get nightmares," begins Johnny Truant, editor of House of Leaves
("House," oleh the way, always colored in blue). He goes on to explain how he stumbled upon the fateful document that would consume him. How Zampanò, an old and eccentric shut-in had left his critique of the Navidson Record scribbled on loose-leaf papers, book covers, and the backs of envelopes and even stamps scattered across his room. Johnny diligently collected all of the papers and organized them into the comprehensive thesis it was meant to be. It is an elaborate and detailed explanation of a documentary that, Johnny discovers, doesn't exist. No matter where he looks, he cannot find the film. But regardless, and for no reason he can remember, he diligently edited this scholarly paper and his footnotes are scattered throughout the novel, sometimes pages long.
But of course, Johnny shares something in common with the Navidson Record in that he doesn't exist either. He is a character created oleh Mark Z. Danielewski to tell the story of House of Leaves
, which is really a story-within-a-story. One story deals with Johnny and Zampanò and how the text effects them, especially Johnny. The other story, the Navidson Record, deals with Will Navidson and his companion Karen Green who pindah into the House on Ash pohon Lane with their two children only to discover an alarming fact: Their house is bigger on the inside than it is on the outside. At first, the discrepancies are small and easy to ignore-- like a quarter of an inch. But soon, the anomaly grows in the form of a room that materializes between the master bedroom and the children's room. A room that, oleh all physical principals, can't exist. This, too, is simply a curiosity to Will Navidson.
And then comes the appearance of "The Five And A Half menit Hallway" which beckons him into the unknown, an unseen beast lurking deep within the depths of the house, atau that may, in fact, be the house itself.
atau it could be nothing at all.
House of Leaves
An example of the text in House of Leaves (Page 134)
is a dizzying tale of disorientation, adventure and the unfamiliar. It delves into the public psyche of our wants and our fears and it doesn't shy away from any topic, no matter how taboo, disturbing, atau shocking. On the one hand, it's an honest portrayal of a young man losing his mind. On the other, it's the fascinating horror story of the physically impossible, the uncanny, the unknown and the sheer vastness of our universe. Still more, there is a romantic side to the novel, the ties between Karen and Will, and indeed even between Johnny and Kyrie and whatever other girl Johnny happens to stumble upon on his twisted journey.
It's difficult to describe House of Leaves
because it is so many things at once. Even to simplify it into just two plots isn't really doing it justice. But what House of Leaves
is most famous for, probably, is the carnival-fun-house way it's written. Footnotes go on for pages, some text is upside down, some text is mirrored atau runs up and down the page, some text is in another language. Some find it difficult to digest, others delight in the maze-like way the novel is written. I, for one, think it's genius.
I once berkata that I would recommend House of Leaves
to horror-nuts, code-breakers, mystery-lovers, philosophers, physics majors, puzzle-lovers, film studies experts, sesquipedalians and bibliophiles. But really, it's for anyone with a sense of adventure.